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February 7, 2018 - by Matt Kane - Be the first to Comment
 Digital Study. What toolset would be complete without it?  Detail Published: Yes
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February 7, 2018 - by Matt Kane - Be the first to Comment
 Digital Study. Developed after studying cell growth and replication  Detail Published: Yes
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February 7, 2018 - by Matt Kane - Be the first to Comment
 Digital Study. Magnified, the particles are revealed to be simple shapes.  Detail Published: Yes
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February 7, 2018 - by Matt Kane - Be the first to Comment
 Digital Study. Colors blend well viewed from afar  Published: Yes
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February 7, 2018 - by Matt Kane - Be the first to Comment
 Digital Study. Note the human error quality of spacing  Detail Published: Yes
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February 7, 2018 - by Matt Kane - Be the first to Comment
 Digital Study. Algorithms that use impressionist color theories and brush stroke directions.  Detail of eye Published: Yes
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February 7, 2018 - by Matt Kane - Be the first to Comment
 Procedural cross hatching. Black and white lines over gray background.  Detail of eye Published: Yes
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February 5, 2018 - by Matt Kane - Be the first to Comment
My work is created with the intent of being large oversized prints in a cavernous space, allowing viewers to approach from afar and experience how the image falls away into the parts and pieces that make up the larger work. In order to simulate this experience online, I create videos and feature my paintings as navigable Google Maps on my website. Published: Yes
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February 5, 2018 - by Matt Kane - Be the first to Comment
One of the chief requirements in setting out on making art with code was that my work would be infinitely scalable; that everything I create be able to be boiled down to simple math. As such, the artworks I create are saved in a custom format. The only limit to the size of an uncompressed image I create are the same restrictions placed on everyone.  "“Should old acquaintance be forgot (After Atelier Manasse)” 2017 | 48″ x 32″ | vector digital art on custom software programmed by the artist  Detail of eye Published: Yes
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February 5, 2018 - by Matt Kane - Be the first to Comment
A great challenge is finding creative ways to achieve with code what is so easily done by hand. To the left is an acrylic painting I did several months prior to first attempting to create works of art with my program. Tracing the outline of a shape by hand is easy. Doing this with code is difficult-- but not impossible. I developed a shape tracing algorithm after many failed attempts over the years. It's my belief that anything done by hand can be achieved with code.  "A Past Possession" 2016 | 12" x 16" | acrylic on board  “Unattainable” 2017 | 48″ x 32″ | vector digital art on custom software programmed by the artist Published: Yes
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